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IDLE Charles |
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'Pianoforte-maker' ca. 1884 |
222, Walworth Road, S.E.
(**1884),
London |
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IMHOF & MUKLE
"Euterpeon. — A self-acting musical
instrument, producing orchestral effects, and representing the flute, oboes,
clarionet, bassoons, flageolet, piccolo, trumpet, trombone, &,c.
Price 150 to 700 guineas."
The Illustrative Record and Descriptive Catalogue of
the Dublin, 1866, p. 240
'Cottage Pianoforte', image of an
advertisement of 1870
'Piccolo Pianoforte', image of an
advertisement of 1870
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LONDON - "Imhof & Mukle, 54,
Oxford Street. - Orchestrion, or self-acting organ."
The International Exhibition of 1862, p.
107
DUBLIN -
"Lovers of music could not fail, upon entering the music or concert hall, to
be attracted by the delicate tunes of a most ingenious and well-constructed
musical instrument exhibited by Messrs. Imhof and Mukle, called an
“orchestrion.” This grand instrument was shown near the entrance to the
musical court of the Exhibition, and was one of the most striking examples
of the capabilities of mechanism for producing perfect music. On this
wonderful instrument innumerable different effects, variations, and shades
of tone can be produced; and the mechanism is so perfect that its action is
instantaneous and free from noise. The instrument in itself is most durable,
and so built as to be equally suitable either for the heat of Calcutta or
the frost of Siberia. The barrels can be easily and conveniently removed
from the front, and the orchestrion does not, therefore, require more space
than its width. The deepest notes are placed in the centre of the
instrument, so that the tuner can tune each pipe from sides without
disturbing any portion. The speed can be regulated by an additional fly so
as to give detailed effects to the music performing. Self-acting
instruments have been constructed for centuries past, but have always borne
the impression of the general knowledge of mechanism and music of the time
being. Instead of simplicity of action, the most complicated and awkward
designs were used, and, therefore, would have better been termed motionless,
instead of self-acting instruments ; but self-acting instruments are as sure
to act as perfectly as other machines, [...][...]"
Illustrative Record and Descriptive Catalogue of the
Dublin, 1866, p. 239-240
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'German Organ builders and Pianoforte-manufacturers' ca. 1862-1910
"Also self-acting
pianoforte manufacturers' (**1884)
(continuation)
PARIS -
"7. IMHOFF & MUCKLE, à Londres, New Oxford street, 110 ; Sandland
street, 9, Holborn. — « Orchestrina » pour jouer des morceaux choisis
d'opéra ou de danse avec effets d'orchestre."
Catalogue général officiel de l'exposition
universelle de 1889, p. 16 (Gallica)
Exhibitors
List London, 1862
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Exhibitors list Dublin, 1865 |
547, Oxford Street, W.C.
(**1862)(**1870)(**1882), Manufactory : 9, Sandland Street, [Bedford Row], Holborn, W.C.
(**1882)(**1884)(**1891), 110, New Oxford Street, W.C.
(**1884)(**1889)(**1891)(**1895)(*1906)(*1909)(*1910), London |
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IMPERIAL PIANO Co
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BRAND
Pianos made
since
1879
by
Sydney ZENDER & Co
Same brand in London see
IMPERIAL PIANO Co, Berlin, Germany |
49, Oxford Road
(*1895)(*1897)(*1899)(*1903)(*1906)(*1907)(*1909),
9, Oxford Road (*1910), London |
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INGRAM & Sons |
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'Pianoforte-makers' ca. ?? |
London |
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INNES
Stephen Mountcashel |
Patent of 1863 :
"Innes. 13th February 1863. -
386. Stephen Mountcashel Innes, of Hill House Hill, in the Parish of
Millbrook, in the County of Hampshire, for an invention for Improvements
in the construction of piano-fortes. Letters Patent sealed."
Chronological index of patents applied for and
patents, 1864, p. 28
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'Pianoforte-maker' ? ca. 1863 |
Hill House Hill, Millbrook (**1864),
Hampshire |
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IRLAM |
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Pianoforte-maker and/or pianoforte dealer ca. 1895-1910 |
30, Trafford Street, Hulme Dale Road
(*1895)(*1906)(*1909)(*1910), Manchester |
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ISAAC Frederick William
Example of a seraphine in an advertisement ca. 1833
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Patent of 1832 : "To
FREDERICK WILLIAM ISAAC, of Charlotte-street, Fitzroy-square, in the
county of Middlesex, ivory, tortois-shell, and pearl worker, for his
havaing invented certain improvements in ornamenting the finger keys,
and other parts of piano-fortes, organs, and other musical instruments.
- [Sealed June 28th, 1832.]"
The London Journal of Arts and Sciences, and
Repertory of Patent Inventions, William Newton, 1832, p. 221
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'Ivory, tortois-shell, and pearl worker'
ca. 1832, 'organ and seraphine maker' ca. 1833 |
[17], Charlotte Street,
Fitzroy Square, Middlesex (*1832),
London |
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ISON BERTRAM Ltd. |
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'Pianoforte-maker' ca. 1914-15 |
[662b], Seven Sisters Road, N.
(*1914)(*1915),
London |
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IVORY Henry Allsop & Co |
PARIS - "Ivory,
Henry A., & Co. ; Fabiicants de pianos ; 23, Holborn Viaduct, London.
Fabrique à Wood Green, near London.
A. Échantillon de pianos de salon de premier ordre, "full trichord," caisse
elegante de bois de noyer à gros glands.
B. Échantillon de pianos d'excellente construction, faits pour le peuple, à
des prix tres moderes ; ces instruments réunissent k une, bonne execution
une longue duree et une apparence suffisamment elegante."
Catalogue officiel de la section anglaise, 1878,
p. 67 (archive.org)
PARIS -
"Ivory, Henry A., & Co.; Pianoforte Manufacturers ; 23, Holborn Viaduct,
London. Factory, Wood Green, near London.
A. Specimen of High Class Drawing-room Pianoforte, full trichord, in elegant
burr walnut case.
B. Specimen of thoroughly well-made Pianoforte designed for the people,
combining durability and excellence of workmanship with sufficient
attractiveness of appearance, and at extremely moderate cost."
Official Catalogue of the British Section, Paris
Exhibirion, 1878, p. 64
MELBOURNE -
"COTTAGE
PIANOS. [...]
IVORY AND Sons, London. -
Bichord and trichord instruments. The cases, in mahogany, veneered with
walnut, are solidly constructed. Third award."
Official Record: Containing Introduction,
History of Exhibition, Description ..., 1882, p.
50
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'Pianoforte-maker' ca.
1872-93
 IVORY & Sons
(***1882)
IVORY
H. A. & Co Ltd. (**1884)
Exhibitors list
London, 1872 | Exhibitors list
Vienna, 1873 | Exhibitors list Paris, 1878 | Third award Melbourne, 1880 |
Mayes Road, Wood Green, N. (**1874), 23,
Holborn Viaduct, E.C. (**1878)(**1882),
Factory : Wood Green, Tottenham (**1873)(**1878), Peele Grove, Old Ford
Road, Bethnal Green, E.
(**1882)(**1884),
Peele Grove, Cambridge heath Road, E.
(**1891)(*1893), London |
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IVORY & PRANGLEY |
"IVORY AND PRANGLEY, Pianoforte Makers, 275,
Euston-hoad, London, N.W
Ivory and Pranglzy solicit the attention of the Musical
Profession and Trade to their new English Piccolo Pianos in Rosewood or
Italian Walnut cases, with Albert fall. Height, 3 feet 9 inches. Finished
with Stewart's Patent grand action. Price ai guineas.
Semi Cottage Pianos in Rosewood or Italian Walnut. Height, 4 feet. Price 18
guineas, with Trusses 30 guineas. Cottage Pianos, very elegant, with
Trichord Treble. Height, 4 feet 4 inches. Rosewood 42 guineas, Walnut 3
guineas extra.
Oblique Grands, 7 octaves, with patent grand check action and Gradus Key.
Price 60 guineas; Walnut 4 guineas extra.
All the above pianos are finished with Stewart's Patent. Hopper to prevent
blocking. 275, Euston-road, N.W."
The Musical Times, Volume 12, 01/04/1865,
p. 23
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'Pianoforte-maker' ca. 1862-67
LONDON - "3415 Ivory & Prangley, 275,
Euston-rd. London. — Semi-cottage pianoforte with grand action and keys."
International exhibition, 1862 : Official catalogue of
the industrial department, 1862, p. 54
Exhibitors
List London, 1862
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Exhibitors list Paris, 1867 |
275, Euston Road (*1862)(*1865)(*1867),
London |
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(*1832): ' The
London Journal of Arts and Sciences, and Repertory of Patent Inventions',
William Newton, 1832, p. 221
(*1862): 'International
exhibition, 1862 : Official catalogue of the industrial department', 1862,
p. 54
(**1862): 'Cassell's
Illustrated Exhibitor', 1862, p. 285
(**1864): 'Chronological
index of patents applied for and patents', 1864, p. 28
(*1865): 'The
Musical Times', Volume 12, 01/04/1865, p. 23
(*1867): 'Paris
Universal Exhibition of 1867: Catalogue of the British Section, Great
Britain. Imperial commission', Paris, 1967, p. 87-88
(**1870): 'The
'Handbook' to the manufacturers & exporters of Great Britain', 1870,
p. 367
(*1872): 'Journal
of the Society of Arts', Volume 20, 1872, p. 889
(**1873): 'The
British section at the Vienna Universal Exhibition, 1873 : Fine Art
Galleries, Industrial, Agricultural and Machinery Halls, and park : official
catalogue, with plans and illustrations', 1873, p. 113
(archive.org)
(**1874): 'Post
Office Directory of Middlesex', 1874, p. 501
(**1878): 'Catalogue
officiel de la section anglaise', 1878, p. 67 (archive.org)
(**1882): 'Post
Office London Directory', 1882, p. 412
(**1884):
'Business
Directory of London', 1884, p. 618-619
(**1889): 'Catalogue
général officiel de l'exposition universelle de 1889', p. 16
(Gallica)
(**1891): 'Post
Office London Trades Directory', 1891, p. 480-481
(*1893): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1893,
p. 656-664 (Gallica)
(*1895): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1895,
p. 717-718 (Gallica)
(**1895): 'Post
Office London Directory, 1895, p. 2038-2039
(*1897): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1897,
p. 834-841 (Gallica)
(*1899): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1897,
p. 1010-1017 (Gallica)
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(*1903): 'Annuaire des artistes et de
l'enseignement dramatique et musical', 1903,
London p. 1103 (Gallica)
(*1906): 'Annuaire
des artistes et de l'enseignement dramatique', 1906, p. 1091-1100
(Gallica)
(*1907): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1907,
p. 1094-1104 (Gallica)
(*1909): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1909,
p. 1105-1113 (Gallica)
(*1910): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1910,
p. 1144-1153 (Gallica)
(*1914): 'Post
Office London Directory', 1914, p. 1837-1838
(*1915): 'Post
Office London Directory', 1915, p. 1796-1797
(1): 'Histoire de piano de 1700 à 1950',
Mario Pizzi, 1983
(2): 'Makers of
the Piano 1700-1820' and 'Makers of the Piano 1820-1860', Martha Novak
Clinkscale, 1993
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