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BRINSMEAD
in London
"PIANOFORTES. - J. BRINSMEAD having made important
improvements in the mechanism of Cabinet and Cottage Pianofortes, combining
elegance, durability, power, richness of tone, and pleasantness of touch,
adapted for the most rapid execution. J. B. begs an inspection, which will
prove that his Instruments stand unrivalled, and will be sold for less than
two thirds the price usually charged by Makers.
1862
JOHN BRINSMEAD Begs respectfully to call the attention of tho Nobility, Gentry, and Public to his PIANOFORTES exhibited in the International Exhibition, Class 16; more particularly to the perfect check repeating Grand and Upright Pianos, as patented by him in February, 1862.
The characteristic of this action is its
very raid repeat, the chack acting with slightest movement of the key - an
advantage long desired, but until now unattained. The aqually balanced
arrangement of metal and wood in construction case expressly adapts them to
meet the requirements of extreme climates.
1874
JOHN BRINSMEAD AND SONS' FULL TRICHORD
UPRIGHT - GRAND PIANOFORTES,
WITH METAL FRAME. GRAND CONSTRUCTION. METAL BRIDGE AND BARS, SOSTINENTE
SOUNDING BOARD. NEW PICCOLO GRAND IMPROVEMENT AND PATENT PERFECT CHECK
REPEATER ACTION.
1877
"JOHN
BRINSMEAD AND SONS'
"The tone of the Grand now referred to possessed all the qualities that a
good piano ought to have, and in touch and action was perfect. The sweet and
silvery quality of the upper octaves was worthy of special admiration." -
The Era. SHORT IRON GRAND PIANOS, six feet six inches in length, with the Patent Perfect Check Repeater Action. Price Ninety to One Hundred Guineas.
"Admirable repetition, perfect sostenuto, and luscious tone of the
instrument fully justified the performer's choice." - Sunday Times.
1880
Zanoni.
Rev. Ed, 1880, p. 5
1883
Advert for John Brinsmead & Sons of 10/11/1883 (museumcollections.rcm.ac.uk)
Advert for John Brinsmead & Sons Pianos 1883 (museumcollections.rcm.ac.uk)
1884
Advert for John Brinsmead & Sons, ca. 1884 (museumcollections.rcm.ac.uk)
The Dawn, a Church and home journal, 1884, p. 240
1894
"ESTABLISHED
IN THE REIGN OF KING WILLIAM IV.
1. Sympathetic Tone. 1. - SYMPATHETIC TONE. -
A writer truly says : 2. - FLEXIBILITY AND LIGHTNESS OF TOUCH. The value of these cannot be exaggerated. Dr. Lardner has proved that the performance of Thalberg's fantasia on the prayer in "Mosè in Egitto" upon a piano of his day, with the common English action, gives an amount of labour which, if applied to lift a weight, would suffice to raise above eighty-four pounds a foot high. In the Brinsmead Pianos the touch and facility of repetition are absolutely perfect. Pianists are aware that rapid or modulating passages are impossible with ordinary pianofortes. Here the softest touch is sufficient to secure a reply, even when the key is held down to within one-eighth of its depth.
GOUNOD writes :
3 - GREAT SUSTAINING POWER OF TONE. The extreme value of these combinations to the vocalist, as well as to the pianist, is acknowledged by all the most celebrated members of the profession, and by innumerable amateurs. It is not only the singing quality which so effectually sustains the voice, but the volume of tone. which is increased or diminished with the most trifling effort of the accompanist; nor is the advantage less to the pianist, who may emulate the full orchestra or venture on delicate modulation or rapidity of repetition, without the fear of indistinctness or loss of fulness of tone.
LEONARD E. BACH writes : 4 - SOLIDITY. - The artistic and beautiful appearance of the finished pianoforte gives no idea of the solidity and strength of its structure, nor of the immense amount of capital for material alone absolutely necessary for the production of good pianos. As to the woods employed, the world is ransacked for the most adaptable English oaks, New Zealand pines, cedars from the Philippines, American poplar, and other woods, such as mahogany, spruce, black walnut, beech; these are some of the materials required, which, after five years' ripening residence in this country, are brought into the manufacture of the pianoforte. But no wood could withstand the tension of strings which, amounting to about twenty-two tons, is required by the present pianos, and the patented improvements of this firm rendered necessary iron frames, which look more suited to a steam engine than to form a part of one of the most delicate of instruments.
Mr. V. PORTMAN, Government Official of Port Blair, writes : 5 - DURABILITY. - Nothing can be more unsatisfactory than a pianoforte which will not "stand." Many pianos, brilliant at first, become twangy and grievously disappointing. The Brinsmead Piano, whether as a purchase or a gift, is ever valuable, because of its durability. Based on a skeleton of solid iron, on which all its component parts depend, there is really nothing to get out of order, while its woodwork is so solid, so well seasoned, and acclimatised, that no damp or heat in this or other countries will affect it irremediably.
The Rev. W. J. OLDFIELD, writing
from Honduras, says: With such a tension as is now on the strings and with pegs let into unseasoned wood, it is impossible for a piano to remain in tune. In the country and abroad it is from this circumstance often advisable to leave the offending instrument severely alone. Messrs. Brinsmead have effectually overcome this difficulty. The wood is discarded, and the pegs rest in a solid iron frame. The system obviates all force in tuning, a turn of the nut tightening or loosening the string to the extent of one thread of the screw. These pianos defy the changes of climate, the tone pitch is sustained, and tuning is easy and infrequent.
Mr. V. PORTMAN, Government Official, writes :
JOHN
BRINSMEAD & SONS, PIANOFORTE MAKERS, To the Royal Family, and by Special
Appointment to His Royal Highness the Prince of Wales, Her Royal Highness
the Princess of Wales, &c.
1895
The Artist, 1895, p. 84
Black & White, 26/01/1895, p. 129
1919
other
Advert for John Brinsmead & Sons (museumcollections.rcm.ac.uk)
Advert for John Brinsmead & Sons (museumcollections.rcm.ac.uk)
Advert for John Brinsmead & Sons, Medals (museumcollections.rcm.ac.uk)
Advert for John Brinsmead & Sons, Class 13, Trichord 7 octaves upright pianoforte (museumcollections.rcm.ac.uk)
Advert for John Brinsmead & Sons, composers (museumcollections.rcm.ac.uk)
Advert for John Brinsmead & Sons, The Brinsmead Patent Sostenente Improvements (museumcollections.rcm.ac.uk)
BRINSMEAD
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