Patent of 1856 : "John Cooper HADDAN, Cannon-row, Westminster, Improvements in pianofortes." The Engineer, 26/12/1856, p. 698

'Pianoforte-[parts]-makers' ca. 1914-17

HAGGIS & Son (*1916)

HAGGIS & Sons (*1914)(*1917)(*1918)(*1919)

'Pianoforte-manufacturers' ca. 1842-52

HAIG & Co (x1842)

HAIG John (*1846)

Patent of 1857 : "11 May 1857 - 1326. Samuel Hallett, of Clarges Street, Piccadilly, in the County of Middlesex, for an invention for Improvements in pianofortes. A communication from Joseph Becker, of the City of New York. Letters Patent sealed." Chronological index of patents applied for and patents granted of ..., 1857, p. 82

1850 - "Charles Alexander Hammar, formerly of No. 44, Rupertstreet, Haymarket, then of No. 6, Sidmouth-place, Gray'sinn-lane, then of No. 35, Charlotte-street, Fitzroy-square, all in Middlesex, Journeyman Pianoforte Maker, then of No. 30, Cromer-street, Gray's-inn-road, Pianoforte Maker, carrying on there such business in copartnership with Robert Hay, under the style of Hammar and Hay, and now of No. 6, Sidmouth-place aforesaid, both in Middlesex, Pianoforte Maker." The London Gazette, 1850, p. 273

HAMMOND William & Sons (**1852)

HAMPTON Charles

  Pianoforte 3 Ft High by 4 Ft 3 Ins Wide - Rosewood 23 to 25 Gs; - Walnut 25 to 27 Gs

  Pianoforte 2 Unisons - 4 Ft 2 ins High by 4 Ft 3 Ins Wide - Rosewood 28 to 32 Gs; - Walnut 32 to 36 Gs - 2 Gs extra for 3 Unisons 5Gs Check Action

  Pianoforte 2 Unisons - 4 Ft 2 ins High by 4 Ft 3 Ins Wide - Rosewood 32 to 35 Gs; - Walnut 35 to 38 Gs - 2 Gs extra for 3 Unisons 5Gs Check Action

 Pianoforte 4 Ft 6 ins High by 4 Ft 6 Ins Wide - Rosewood 50 to 60 Gs; - Walnut 55 to 65 Gs - 7 octaves, 3 Unisons, harp pedal, ivory bridge, extra Check Action 5 Gs., all images of an advertisement in 1862, Debrett's Illustrated Peerage, of the United Kingdom of Great Britain and ..., 1862, p. 18

"C. HAMPTON'S Compressed pianofortes. Prices guineas. 20-23-25-28-32-36-40-50-60 each. [Established in 1851] This principle was invented by C. H. in 1860, exhibited at the International Exhibition, and carried the only award for "novelty Of Construction." It has received the highest enconiums of the Press up to the present time, a few of the latest being given, as showing that as the novelty ceases, the invention is becoming more distinctly recognised.
To The Musical World. — Our attention has been called to one of the most important improvements in the construction of the Pianoforte ever recorded, which has for some time elicited the highest praise from some of the most eminent scientific gentlemen who have closely examined them. We allude to the Compressed Pianoforte, invented by Mr. C. Hampton." — Vide Civil Service Gazette.
They combine two points of the greatest importance, viz., power and purity of tone, and extraordinary durability."—Vide Court Circular.
Mr. Hampton, No. 3,405. exhibits an upright Piano, having different parts in different stages of manufacture, the framing has Iron Tubular Screw Strutts, so disposed tliat a longitudinal pressure can be put on during manufacture, in anticipation of the tension that will afterwards come from the strings. He has 'Honourable Mention' for the Invention." — See Juror's Reports, Class XVI., p. C,
31 & 56, Charlotte St., Fitzroy Square, London, W. - MANUFACTORY AND SHOW ROOMS. - For further particulars, see Index to other Advertisements." Debrett's Illustrated Peerage, of the United Kingdom of Great Britain and ..., 1862, p. 16 and Murray and Co.'s Book of Information for Railway Travellers and Railway, 1865, p. 60

HAMPTON Charles & Co (**1882)

HAMPTON Charles & Co Ltd. (**1884), 'Inventors of the Royal College of Music pianos'

Grand pianoforte ca. 1790, The Cobbe Piano Collection, Surrey, England, U.K.

"The upright piano-forte was, doubtless, taken from tho upright harpsichord, and we have always understood that it was the invention of an Englishman of the name of Hancock, a musical instrument maker resident in some part of Westminster. He was a man of much ingenuity, and produced several varieties in keyed instruments; amongst which we find the organised piano-forte, the portable grand piano-forte, and an instrument, also a pianoforte, in the shape of a spinnet. The portable grand, in its day, was a successful and desirable instrument, but has long since been superseded by instruments of the kind called kit grands, boudoir grands, pocket grands, and semi grands." The Penny Cyclopædia of the Society for the Diffusion of Useful Knowledge, 1840, p. 141

'Organ Builder and Pianoforte-maker' ca. 1770-1820

CRANG John & HANCOCK James (ca. 1770), see also CRANG

Successor of LUNDBY & Co

'Harp-maker' ca. 1840

Patent of 1860 : "Hare - 30 August 1859 - 1971. James Hare, of Hamstead Road, Handsworth, near Birmingham, Music Smith, for an invention for Improvements in piano fortes." Chronological index of patents applied for and patents granted, 1860, p. 129

106, Wenlock Street, New North Road, N. (**1884)(**1891), 2-3, Forston Street, N. (**1891)(**1895), 106, Wenlock Street, N. (**1895), 105-106, Wenlock Street, N. (*1895)(*1897)(*1903)(*1906)(*1907)(*1909)(*1910), 106, Wenlock Street, Hoxton, N. (*1914)(*1915), London

HARPER Thomas (*1916)(*1917)(*1918)(*1919)

'Maker to his late Majesty'

HARRIS & Co (**1904)

Olinda Works, Olinda Road, Stamford Hill, N. (**1904), London

'Pianoforte-maker' ca. 1860

1860 - "Creditors under Estates in Chancery. Last day of proof. Tuesday, Nov. 13, 1860. [...] Harris, Charles, Pianoforte Maker, late of Pratt-street, Lambeth, Surrey, and formerly of New-street, Vincent-square, Westminster." The Solicitors' Journal and Reporter, 17/11/1860, p. 39

New Street, Vincent Square, Westminster (18??), Pratt Street, Lambeth, Surrey (xx1860), London

HARRIS & Co (**1884)

HARRIS J. & Co (*1893)(*1906)(*1907)(*1910)

33, Rathbone Place, W. (**1884)(*1893), 16, Newman Street, Oxford Street, W. (**1884)(*1893), 2, Broad Street Buildings, E. (*1906)(*1907)(*1910), London

20, Colvill Place, Whitfield Street, W. (*1914(*1915)), London

LONDON - "Messrs. Harrison & Co. exhibit an upright piccolo, called the “ utilitarian boudoir piano,” and made with the object of constructing a piano-forte at the least possible cost: the price of this instrument being eighteen guineas only. To effect this, several alteration shave been made. In the first place, there is only one string to each note; secondly, the keys are shorter and project less, by which the legs or scrolls usually put under the key-frame are saved ; and, thirdly, the action consists of a simple projection at the end of the key, which lifts the tail of the hammer directly, without the intervention of any hopper. It is in fact a return to the primitive single-action, with which the piano-forte was first made; the only difference being the variation in form necessary to apply it to the upright instrument. Although advocating cheapness, we cannot consider it desirable to obtain it by depriving the piano-forte of the improvements it has received, or by any other means calculated to deteriorate its quality." Newton's London Journal of Arts and Sciences, 1851, p. 33-34

Patent of 1854 : "1164. And Joseph Harrison, of Fitzroy-square, in the county of Middlesex, has given the likenotice in respect of the invention of improvements in piano fortes." The London Gazette, 18/07/1854, p. 2242 (thegazette.co.uk)

FIRE

"Fire At Harrison's Pianoforte Manufactory. — On Wednesday night a fire broke out on the premises occupied by the above firm, at John-street, Tottenham-court-road. A great amount of property was destroyed, part only of which, we believe, was insured. The unfortunate workmen have, as usual, lost all their tools, which were not insured." The Musical World, 29/03/1856, p. 203

End : 1914

"JOSEPH HART - MANUFACTURER of Improved Cabinet, Cottage, and Square Piano Fortes, Seraphines, Ac. 109, Hatton Garden, London.
J. Hart respectfully invites the Public to inspect his improved Piano-fortes, which, from their peculiar construction, produce a tone not surpassed by those of any other maker; they are manufactured in an elegant form, of the best and wellseasoned materials, and are offered at a very reasonable price for ready money. Every instrument is warranted.
THE SERAPHINE. Having paid particular attention to the manufacture of this useful instrument, J. Hart presents it to the Public as the most perfect of the kind; its defects have been remedied, particularly those of not replying to the touch, and also the difficulty nf supplying the wind, hitherto so much complained of. The action of the bellows is now rendered so easy, that it may be worked without the least fatigue, while the varied qualities of tone, de. licate and soft, or powerful, at the pleasure of the performer, renders It capable of giving effect to an y Organ Music, and it will be found equally adapted either for the Church, Chanel, or the Drawing Room." The Musical World a weekly record of Musical Science, Literature, and ..., 1838, p. 15

'Pianoforte-maker' and publisher ca. 1838-52

(continuation)

"Coronation Anthem. O Lord by whom sovereigns reign, composed expressly for the Coronation of Her Majesty, Queen Victoria, by Thos. Jarman (author of the 'Sacred Harmonica', 'Voice of Melody', &c. Price ls. Published by J. Hart, 100, Hatton Garden, Music seller and Manufacturer of Improved Cabinet and Cottage Pianofortes, Seraphines, &c., which combine brilliant and powerfull tone, superior touch - elegant form, and the greatest durability. Every Instrument is Warranted, and Six Months' Trial Allowed." The Musical World a weekly record of Musical Science, Literature, and ..., 1838, p. 140

"J. HART, 109, HATTON GARDEN, Manufacturer of Improved Cabinet, Cottage, and Piccolo Pianofortes, which combine Brilliant and Powerful Tone, Superior Touch, Elegant Form, and the greatest durability.
Piccolo Pianofortes from 28 to 35 Guineas
Cottage Ditto from 30 to 40 Ditto
Cabinet Ditto from 40 to 60 Ditto
A liberal allowance to Country Dealers, Merchants, and the Profession." The Musical World, 23/O5/1839, p. 64

'From Broadwoods'

'Pianoforte-maker' ca. 1852-97

CAPEROE & HASTELOW (**1852)(untill 1891), see also CAPEROE

HASTELOW Henry (**1882)(**1884)

HASTELOW Henry & Co (*1893)

19, Buckingham Road, Kingsland, N. (**1891)(**1895), 2-4, Tottenham Road, N. (**1891)(*1895)(**1895)(*1897)(*1903)(*1906)(*1907)(*1909)(*1910)(*1914)(*1915), London

Patent of 1770 : "Dec. 28, 1770. — Thomas Haxby. A single harpsichord of two unisons . . . which produces ten variations of stops." The History of the Pianoforte, Edgar Brinsmead, 1879, p. 193 (archive.org)

1850 - "Court for relief of insolvent debtors. [...] Robert Hay, formerly of No. 152, Grove-street, Camdentown, and of No. 30, Cromer-street, Gray's-inn-road, Pianoforte Maker, carrying on such business at No. 30, Cromer-street aforesaid, in copartnership with Charles Alexander Hammar, under the style of Hammar and Hay, then of No. 152, Grove-street aforesaid, and now of No. 90, Charlotte-street, Fitzroy-square, both in Middlesex, Pianoforte Maker." The London Gazette, 1850, p. 273

HAMMAR & HAY (**1850), see HAMMAR, just above

4, Royal Exchange Buildings, E.C. (*1906)(*1907)(*1910), 80, Cornhill, E.C. (*1914)(*1915), 26, Old Bond Street, W. (*1914)(*1915), London

'Pianoforte-maker' ca. 1891-1914

HELBY Charles & Co (**1891)(**1895)

HELBY Charles (*1914)

22, Baker Street, W. (**1891)(**1895), 6, Lower Seymour Street, W.C. (*1893), 108, Victoria Street, S.W. (*1914)(*1915), London

PARIS - "Hemingway & Thomas ; Fabricants de pianos ; 27, Victoria Road, Kentish Town, London.
Un piano, classe 4, modèle anglais, en bois de rose. Un piano, classe 4a, modele allemand, en bois de noyer. Un piano, classe 6a, modele parisien, en bois de noyer. Tous sont enregistrés, et ont de nouveaux ornements." Catalogue officiel de la section anglaise, 1878, p. 66 (archive.org)

27, Victoria Road, Kentish Town (**1878), Lewis Street, Victoria Road, Kentish Town, N.W. (**1882)(**1884)(**1891)(**1895), [27], Victoria Road, Kentish town, N.W. (*1893)(*1895)(*1897)(*1903), 15, Victoria Road, Kentish Town, N.W. (**1895)(*1906)(*1907)(*1909), London

11-13, Northgate Street (*1910), London

HENDERSON James & Son (**1882)

Nameplate on a KIRKMAN pianoforte, hammerfluegel.info

45, Hampstead Road, N.W. (**1895), London

HERMITAGE Lindsey Ltd. (??)

HERMITAGE & Sons (**1901)(**1904), piano merchants

258, Clapham Road, S.W. (**1901)(**1904), 23, Knight's Hill Road, W. Norwood, S.E. (**1904), London

Beethoven Hall, Eastbourne

St. Leonards

Hastings

Turnbridge Wells

Nottingham

London

(1789 - 1869)

Patent of 1838 : "Daniel Chandler Hewitt, of Store-Street, Bedford-Square, professor of music, for certain improvements in musical instruments. Sealed December 6, 1838. - (six months)." Repertory of patent inventions and other discoveries and ..., Volume 11, 1839, p. 61

(**1855) Richmond, Surrey

'Pianoforte-manufacturers' since 1864

HICKIE Brothers (?)

'Pianoforte-makers' since 1901

HICKLEY T. J. & Co (**1904)

HICKLEY T. J. & Son (??)

HICKS Henry & Son Ltd. (*1914)(*1915)(*1916)(*1917)(*1918)(*1919)

9, London Road, Surry (*1808)(*1814), 9, London Road, St. George's Fields, [Surry] (*1816)(*1818)(*1820)(**1822), 5, Harleyford Place Kennington common (*1843), London

8, Oakley Terrace, Old Kent Road (**1852), London

Pianoforte-makers and/or pianoforte dealers ca. 1895-1910

"HIME and ADDISON, 30, Victoria Street (Late 19, ST. Ann's Square). - Pianofortes and Harmoniums in every variety, by the best makers. Cabinet Organs by Mason and Hamlin, New York. Pianofortes Tuned and Repaired by experienced London Artisans. Instruments taken in exchange. New Music at half-price. Manchester. 30, Victoria Street. Manchester." Monthly Musical Record, 1872, p. 154

Pianoforte-makers and/or pianoforte dealers ca. 1818-72

18, Hamilton Square (**1872), Birkenhead

1823 - "Notice is hereby given, that the Partnership heretofore subsisting between us the under signed; Jno. Hingston and Jno. Dixon, Organ-Builders, Piano-Forte-Makers, &c. of 41, Cirencester-Place, Parish of St. Mary-le-Bone., in the County of Middlesex, is this day dissolved by mutual consent; and that all debts due and owning to and from the said late Partnership concer?? will be received and paid by the said Jno. Hingston, who will continue to carr on the Piano Forte making, &c. business as usual, at the aforesaid 41, Cirencester-Place ; the Organ-Building business will be carried on by Mr. Dixon, , as per future notice-Witness our hands this 8th day of August 1823." The London Gazette, 09/08/1823, p. 1327

'Harp and Musical Instrument Maker' ca. 1802

Bankrupt 9th March 1802, Cobbett's Annual Register, 1802, p. 561 - and - A list of bankrupts ... from Jan. 1, 1786, to June 24, 1806, p. 23

1853 - "Partnerships dissolved. Nov. 15 [...] Hodges, S. and Floyd, R. pianoforte manufacturers, Egremont-place, New-road, Nov. 8. Debts paid by Floyd." The Law Times, 26/11/1853, p. 99

DUFF & HODGSON (*1839)(*1843)(**1852), see also DUFF

CHALLEN, DUFF & HODGSON (*1872), see also DUFF and CHALLEN

View in Whitefriargate, The Official Illustrated Guide to the Great Northern Railway, 1857, p. 69

"ONE HUNDRED AND FIFTY PIANO-FORTES
By the best Makers, for Sale or Hire on the most Advantageous Terms, AT J. W. HOLDER’S
EXTENSIVE PIANO-FORTE and general Music Warehouse. No. 1, WHITEFRIARGATE, HULL.
NEW COTTAGE AND PICCOLO PIANO-FORTES, FROM SIXTEEN TO ONE HUNDRED GUINEAS. Second-hand Piano-fortes, drim forty shillings to forty pounds. Harmoniums at 6£, 7£, 9£, 14£, 18£, 24£, 25£, 32£, 42£, and 50£. Non-copyright music at half-price.
ALL NEW MUSIC AT THE REDUCED PRICE. Every Article in the Music Trade in great variety at the Lowest Prices.
J. W. HOLDER, N0. 1, WHITEFRIARGATE, HULL." The Official Illustrated Guide to the Great Northern Railway, 1857, p. 59

'Pianoforte-manufacturers' since 1837

HOLDER J. W. (x1857)(x1861)

HOLDER Brothers (18??)

End : 1928

 "The visitor to Hull cannot fail to be impressed with the size of the wholesale and retail places of business, conspicuous among which may be mentioned the establishment of MR. J. W. HOLDER, in Whitefriargate. Upon entering the premises we were startled at seeing the enormous stock of musical instruments. Fiddles for 10,000 performers; pianofortes for all Yorkshire. Orpheus would seem to have made Hull his head-quarters. We have alluded to violins and pianos only, but every kind of musical instrument may be found in this temple of the muses, which is eminently worthy a place among our pictorial embellishments of what may be seen and appreciated at Hull." The Official Illustrated Guide to the Great Northern Railway, 1857, p. 70

Brinsby

Bridlington

"PIANOFORTES at MANUFACTURING - PRICES. - Messrs. HOLDERNESSE and Co., 444, New Oxford-street, London, beg to inform their friends and the public that they have reduced the price of their Piccolo Pianofortes, in rose, zebra, or walnut-tree wood cases to 25 guineas each. These beautiful instruments are 6 7/8 octaves (C to A) in compass, combine all the latest improvements, are possessed of amazing power, combined with sweetness of tone, and finished with the same care and attention that have hitherto distinguished their manufacture. Warranted for three years, and exchanged if not approved of. - A variety of second-hand, by Broadwood, Collard, Erard, and other makers, from £10 ; and double and single action Harps, by Erard from £10 - N.B. Every description of musical instruments tuned, repaired, and taken in exchange." The Illustrated London News, Volume 18, 1851, p. 183

HOLMAN Edward Walter

HOLMAN John Chapell

LONDON - "18. Mr. Holman is a maker who has evidenly received a suggestion from early instruments. His octavo piano reminds one of the quality in tone of that of the harpsichord, excepting that, in the latter instrument, the strings were set in vibration by the catch of a quill, and in Mr. Holman's piano they are struck by a hammer. The action of the pedals enables a performer to procure the ordinary tones of the piano, or to add the octave throughout á voluntáte. Some years since, Messrs. Kirkman made a few octave pianofortes." Journal of the Royal Society of Arts, 1872, p. 890-891

(? - 1886)

Cottage Grand Pianoforte, Exhibition London, 1861, Cassell's Illustrated Exhibitor: Containing about Three Hundred, 1862, p. 208

Patent Concert Grand Pianoforte, Cassell's Illustrated Exhibitor: Containing about Three Hundred, 1862, p. 208

LONDON - "Mr. Hopkinson exhibits a grand, with a new action, called “the patent repetition and tremolo check action 5” but as the mechanism is not shewn, we can merely remark that it is intended to give such an extreme degree of repeating power, that a kind of tremolo may be produced by slightly agitating the key when down. The dampers consist of wedges of soft cloth, on the German plan." Newton's London Journal of Arts and Sciences, 1851, p. 34

LONDON - "500. HOPKINSON, JOHN and JAMES, 18 Soho Square — Manufacturers. Horizontal grand pianoforte with patent action, on an entirely new principle, giving increased power and certainty to the touch, and adding the tremolo similar in effect to that produced by the voice. Mata, inventor. Rosewood boudoir pianoforte, 6 and 3/4 octaves." Official description and illustrated catalogue of the Great exhibition, 1851, p. 469

LONDON - "Mr. Hopkinson exhibited a grand pianoforte, to which is applied his repetition action recently patented." Crystal Palace, and its contents : being an illustrated cyclopaedia of the great exhibition of the industry of all nations, 1851, p. 202 (archive.org)

PARIS - "1997 Hopkinson, J. et J., à Londres, A. — Pianos ordinaires; grand piano perfectionné.
1997 Hopkinson, J. and J., 18 Soho-square, London. Pianofortes." Paris universal exhibition, 1855, p. 70

LONDON - "The display of musical instruments on the British side of the building and the second shows a patent concert grand, with all the modern is very complete. Having already referred to these, however, we now merely introduce representations of two fine pianos, manufactured by   Messrs. John and James Hopkinson, of Regent Street. The first engraving is of a cottage grand, with carvings in the Italian style;  and the second shows a patent concert grand with all improvements. This is inclosed in a case- of admirable workmanship walnut, inlaid with ivory, tulip, box, and king woods, exquisitely carved. But it is not to their cases that pianos owe their chief excellence. "Without tho interior mechanism be of the liret oUfig, all the decoration in the world would render them but boxes of worthless discord. In the pianos of Messrs. Hopkinson — who has not heard them at the Exhibition discoursing "most excellent music," under the guidance of highly-educated fingers ? — the outside ornament forms but the least part of their value. True, they are fine pieces of furniture; but they possess a far higher value, for they are famous musical instruments. To hear them well played is a treat for a professor, much less a mere musical amateur like the writer. In tone, touch, and all the requisites of first-rate pianos, they are perfect — fitted alike for the concert-room or the cottage parlour — brilliant, full, and at the same time delicate, and calculated in every respect to sustain the high reputation their makers have so long had with the musical world. The valuable improvements in the manufacture of pianofortes lately introduced have all been taken advantage of by the Messrs. Hopkinson, the resources of whose establishment enable them to compete, not only in excellence, but also in economy of production, with the best makers in the trade. To go to the Exhibition on a Saturday, and to hear a fantasia on one of these instruments, is a treat indeed; and when we come to consider what a complicated piece of work is the interior of a piano — the strings stretched to a tension equal to a pressure of several tons, and yet one faulty wire putting the whole machine out of order — when we think what ingenious appliances arc necessary before these strings can answer to the light touch of a woman's finger — when we see that all the ends for which such an instrument are fully answered, and we find the English piano a highly-finished and complete box of harmony, our wonder and admiration may well be excited. To say that these instruments are as perfect as they can be made, is to say all that can be said of any piano yet manufactured: to compare them with the instruments of other eminent makers is simply futile. Among the best there can be no better." Cassell's Illustrated Exhibitor: Containing about Three Hundred, 1862, p. 208-209

'Pianoforte-maker' since 1835 untill 1869

According Mario Pizzi and Alfred Dolge, the firm began in Leeds before their establishement in London, in 1835. (1) It was John HOPKINSON who began the firm.

James HOPKINSON came in the firm in 1846, according M. Pizzi and A. Dolge. He retired in 1869. Read more in Pianos and their makers, Alfred Dolge, 1911, p. 247 (archive.org)

HOPKINSON John & James (*1846)(**1851)(*1855)(*1862)(*1865)(**1882)(**1884)(*1893)(*1897)(*1903)(*1906)(*1909)(*1910)(*1914)(*1915) in London, see John HOPKINSON, just above.

In 1850 they had made 2100 pianos. (1)

FIRE - "London Fires in 1856 [...] Saturday, January 12th. The extensive pianoforte manufactory of Messrs. Hopkinsons in Diana-place, New-road, St. Marylebone." The Mechanics' Magazine, 1857, p. 198 - Read more below.

In 1900 they arrived to make 55200 pianos. (1)

Succeeded by George ROGERS & Son in 1924

Succeeded by WHELPDALE, MAXWELL & CODD in 2001

End : 2003

"HOPKINSON'S PIANOFORTES. - Were awarded the Prize Medal in 1851, Gold Medal in 1855, and the Prize Medal in 1862. NOTICE. — By the following extract it will bo seen that, in addition to tho Medals awarded in 1862, TWO FIRMS ONLY IN GREAT BRITAIN have been selected by the Musical Jurors for Special distinction. "In making the awards for Pianofortes, the Jury have felt a difficulty arise from the Medals being all of the same value, which compels them to award apparently the same decree of honour to any merit shown by a small maker, that they would to the most successful performance of the first manufacturers in Europe. The rules established by the Commissioners do not warrant any Special awards being given; but the Jury consider they will not be exceeding their powers in placing certain makers at tho head of their list, with notices more full and special than those which follow. The makers which the Jury wish thus to distinguish are — For Great Britain, 'BROADWOOD,' and 'HOPKINSON. - HOPKINSON'S GRAND AND COTTAGE PIANOFORTES, THOUGH UNSURPASSED IN QUALITY, ARE MODERATE IN PRICE. ILLUSTRATED LISTS FREE. 235, REGENT STREET, LONDON, WV." Cassell's Illustrated Exhibitor, 1862, p. 285

Pianoforte-makers and/or pianoforte dealers ca. 1872

1819 - "Notice is hereby given, that the Partnership lately existing and carried on between us, the undersigned, Thomas Garlick and William Horn, of No. 10, Upper King Street, Bloomsbury, in the county of Middlesex, Piano-Forte-Manufacturers and Music-sellers, was this day dissolved by mutual consent. - All debts due to or by the said firm to be received and paid by the said Thomas Garlick. Dated this 25th October 1823. Thos. Garlick. William Horn." The London Gazette, 28/10/1823, p. 1819

GARLICK Thomas & HORN William (**1823)

'Pianoforte-maker' ca. 1824-31

ASTOR & HORWOOD (1824-31), see ASTOR

GUNTHER & HORWOOD (??), see also GUNTHER

Square pianoforte ca. 1790-95, Museum of Fine Arts, Boston, M.A., U.S.
Square pianoforte ca. 1800-10, Present owners unknown, U.S. ?
Square pianoforte ca. 1805-10, Present owners unknown (Sold by Christie's 1987)
Square pianoforte n° 1066 ca. 1810, Present owners unknown
Square pianoforte n° 1434 ca. 1810-15, Smithsonian Institution, Washington, D.C., U.S.

'Musical Instrument Maker' ca. 1796-1806

Bankrupt in 16th august 1796, The Universal Magazine of Knowledge and Pleasure, 1796, p. 151 - and -  A list of bankrupts ... from Jan. 1, 1786, to June 24, 1806, p. 56

Pianoforte-maker and/or pianoforte dealer since 1884

HOWARD Ltd. (*1910)

HOWLET William & Son (***1875)

Lowestoft

HUGHES Hesketh & DENHAM William Thomas

Mechanic of a cottage pianoforte,
patent of 1852, The Mechanics' Magazine, 1853, p. 288

'Engineers' in 1852, 'Pianoforte-makers' ca. 1855

'Pianoforte-makers' since 1882